1964年影片《World of Henry Orient》原声。 by Jason AnkenyWritten in the wake of his landmark The Magnificent Seven, Elmer Bernstein's score to the 1964 madcap fantasy The World of Henry Orient is 180 degrees removed from its predecessor. A charmingly sweet and lighthearted evocation of adolescent pluck, it captures an innocence rare among the composer's work. Bernstein treats the larger-than-life escapades of the film's young heroines with admirable sensitivity, penning a series of whimsical themes that never belittle their teen spirit. Peter Sellers' titular pianist is not so lucky, however, with composer Kenneth Lauber contributing a vicious lampoon of avant-garde sensibilities.