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This remarkable disc features Mika Pohjola's crafty ensemble, with Miguel Zenón on alto sax and flute, Ben Monder on guitar, Fernando Huergo on bass, and Roberto Dani on drums, with Johanna Grüssner contributing haunting vocals on occasion. Pohjola plays Fender Rhodes and other electric keys in addition to acoustic piano; on Landmark and Retrospectives he doubles certain melodies on harpsichord, as he has done on two previous albums (he may well be the first musician to employ the arcane instrument in a modern jazz ensemble, although Herbie Hancock played an electric harpsichord on a couple of unissued Miles Davis tracks in the late 60s.) Compositionally, Pohjola's work is involved yet infectious and profoundly melodic, driven by the virtuosity and strong personalities of his players. On tracks like Screenplay and Future Apparent the band purveys a hip, appealing species of electric jazz. Pohjola's mellower side comes through on A Ballad About S