BLOOD opens with the anthemic “Song Of Rebellion,” a song that creeps in, not unlike a JOHN CARPENTER theme, slowly building, a vision of the masses of creatures of night lurking out from the darkness, beasts of all sorts, unnamed, before unseen, as they explode from the blackest corners of the night of the mind. But the song is a scream for the violence man perpetrates toward man to end, to shriek back against that violence and not take part. Be aware of what the real monsters are, who they are, and stop letting them in the door. *(Remember that dream scene in American Werewolf In London – – – yeah, like that.) The music follows a darkly invasive beat of militance that pushes the song ever forward, not unlike these wars themselves, too many to name, as society crumbles under the iron fists of a subversive and sociopathic dystopian rule, whose own mask has long ago sluiced off. It fits in with the general theme, as it seems these humans act as vampires upon the masses, slowly draining us of all we are.
“Vamp