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John Mark Ainsley
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John Mark Ainsley&Laurent Naouri&Les Musiciens du Louvre&Marc Minkowski - Rameau: Dardanus / Act 4: "Quel bruit! quelle tempête horrible!" / "Mon rival va périr" / "Le monstre est abattu"
Catrin Wyn Davies&John Mark Ainsley&Sir Thomas Allen&Elizabeth Layton&Ursula Smith&Malcolm Martineau - No. 1 Music, Love and Wine
Emily Van Evera&John Mark Ainsley&Simon Berridge&Paul Agnew&Jeremy White&Taverner Consort&Taverner Choir&Taverner Players&Andrew Parrott - Purcell: The Fairy Queen, Z. 629, Masque of The Four Seasons: "Hail! Great Parent of Us All"
John Mark Ainsley - Il Re Pastore, K. 208, Act II Scene 11: No.13, Aria, "Voi, che fausti ognor donate" (Alessandro)
Iain Burnside&John Mark Ainsley - No. 1. Let me enjoy the earth
Michael George&Michael Chance&John Mark Ainsley&The English Concert&Trevor Pinnock&The English Concert Choir - Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day: "Then lift up your voices" - "The pow'r shall divert us a pleasanter way"
John Mark Ainsley&Frans Brüggen&Coro Gulbenkian&Orchestra Of The 18th Century - 2. Arie mit Chor: Nun schwanden vor dem heiligen Strahle
John Mark Ainsley&Laurent Naouri&Véronique Gens&russell smythe&Les Musiciens du Louvre&Marc Minkowski - Rameau: Dardanus / Act 5: "N'en doute point; c'est Dardanus lui-même"
Andrew Parrott&Charles Daniels&Emily Van Evera&John Mark Ainsley&Taverner Players&Timothy Wilson - III. Aria and Ritornello. "Here the Deities Approve" - IV. Verse and Ritornello. "While Joys Celestial"
Emily Van Evera&John Mark Ainsley&Simon Berridge&Paul Agnew&Jeremy White&Taverner Consort&Taverner Choir&Taverner Players&Andrew Parrott - Purcell: The Fairy Queen, Z. 629, Masque of The Four Seasons: "Thus the Ever Grateful Spring"
Emily Van Evera&John Mark Ainsley&Simon Berridge&Paul Agnew&Jeremy White&Taverner Consort&Taverner Choir&Taverner Players&Andrew Parrott - Purcell: The Fairy Queen, Z. 629, Masque of The Four Seasons: "See, See My Many Colour'd Fields"
Taverner Consort&Taverner Choir&Taverner Players&Andrew Parrott&David Thomas&John Mark Ainsley&Timothy Wilson - II. Verse, Chorus and Ritornello. "Welcome to All Pleasures"
Emily Van Evera&Tessa Bonner&Charles Daniels&Andrew King&John Mark Ainsley&Nicolas Robertson&Richard Wistreich&Stephen Charlesworth&Simon Grant&Taverner Players&Andrew Parrott&Taverner Choir&Taverner Consort - Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27
Emily Van Evera&Tessa Bonner&Charles Daniels&Andrew King&John Mark Ainsley&Nicolas Robertson&Richard Wistreich&Stephen Charlesworth&Simon Grant&Taverner Players&Andrew Parrott&Taverner Choir&Taverner Consort - Purcell: Funeral Sentences: In the Midst of Life, Z. 17A
Emily Van Evera&John Mark Ainsley&Simon Berridge&Paul Agnew&Jeremy White&Taverner Consort&Taverner Choir&Taverner Players&Andrew Parrott - Purcell: The Fairy Queen, Z. 629, Masque of The Four Seasons: "Hail! Great Parent of Us All"
Michael Chance&John Mark Ainsley&Michael George&The English Concert - Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Welcome to all the pleasures
John Mark Ainsley - Il Re Pastore, K. 208, Act II Scene 4: No. 9, Aria, "Se vincendo vi rendo felici" (Alessandro)
小澤征爾&Saito Kinen Orchestra&Tokyo Opera Singers&John Mark Ainsley - No. 63 a-b Evangelist, Chorus I/II: "Und siehe da"
小澤征爾&Saito Kinen Orchestra&Katsunori Kono&Thomas Quasthoff&John Mark Ainsley - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
小澤征爾&Saito Kinen Orchestra&Tokyo Opera Singers&Thomas Quasthoff&John Mark Ainsley - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an"
Ruby Philogene&John Mark Ainsley&London Symphony Orchestra&Sir Colin Davis - "Fair love, you faint with wand'ring in the wood"
Ruby Philogene&John Mark Ainsley&London Symphony Orchestra&Sir Colin Davis - "How now my love?"
Kent Nagano&Alison Hagley&Catherine Wyn-Rogers&Janet Baker&John Mark Ainsley&William Dazeley - "Now There Is Silence" (Athene, Hermes, Artemis, Apollo)
Kent Nagano&Catherine Wyn-Rogers&Janet Baker&John Mark Ainsley&William Dazeley - "Listen, the Voices of the Gods" (Athene, Artemis, Hermis, Apollo)
Kent Nagano&Alison Hagley&Janet Baker&John Mark Ainsley - "Your Prayer Is Answered, Penelope" (Athene, Hermes)
Kent Nagano&Janet Baker&John Mark Ainsley - "Bold! Telemachus, Watch the Shadow on the Wall" (Hermes, Athene)
Kent Nagano&Alison Hagley&Janet Baker&John Mark Ainsley - "How Loud the Spring Sounds All of a Sudden" (Athene, Hermes)
John Mark Ainsley - VI. Agnus Dei
John Mark Ainsley - V. Sanctus
John Mark Ainsley - IV. Domine Jesu Christe
John Mark Ainsley - III. Dies irae
John Mark Ainsley - II. Kyrie
John Mark Ainsley - I. Introitus
Franz Welser-Möst&Anthony Rolfe Johnson&John Mark Ainsley&London Philharmonic Choir&Peter Coleman-Wright - "In monte reppertus est" (Le Berger, Le Messager, Œdipe, Chorus)
Franz Welser-Möst&John Mark Ainsley - "Oportebat tacere, nunquam loqui" (Le Berger)
Catherine Bott&Emma Kirkby&John Mark Ainsley&Academy Of Ancient Music&Christopher Hogwood - Purcell: Dido and Aeneas / Act 3: "Your councel all is urg'd in vain"
Michael Chance&John Mark Ainsley&Academy Of Ancient Music&Christopher Hogwood - Purcell: Dido and Aeneas / Act 2: "Stay, Prince, stay"
Andrew Parrott&John Mark Ainsley&Taverner Players - VI. Song and Ritornello. "Beauty, Thou Scene of Love"
John Mark Ainsley&The Brandenburg Consort&Stephen Cleobury - Handel: Messiah, HWV 56 - First version of 1752; edited by Donald Burrows / Part 1: 1. Accompagnato. Comfort ye, My people
John Mark Ainsley - Messiah: Comfort Ye and Ev'ry Valley
Franz Welser-Möst&John Mark Ainsley - "Oportebat tacere, nunquam loqui" (Le Berger)
John Mark Ainsley&Alastair Miles&Sally Matthews&Sara Mingardo&London Symphony Chorus&London Symphony Orchestra&Sir Colin Davis - Ludwig van Beethoven: Mass in C major, Op. 86 - 6. Agnus Dei
John Mark Ainsley - 39. Air: No, no cruel Father, no
John Mark Ainsley&Alastair Miles&Sally Matthews&Sara Mingardo&London Symphony Chorus&London Symphony Orchestra&Sir Colin Davis - Ludwig van Beethoven: Mass in C major, Op. 86 - 2. Gloria
John Mark Ainsley - Il Re Pastore, K. 208, Act I Scene 3: No. 4, Aria, "Si spande al sole in faccia" (Alessandro)
Sir Charles Mackerras&Orchestra of the Welsh National Opera&Chorus of the Welsh National Opera&Richard Van Allan&John Shirley-Quirk&Jonathan Summers&Philip Langridge&John Mark Ainsley&Josephine Barstow - 20. Finale
Riccardo Minasi&Il Pomo d'Oro&John Mark Ainsley - George Frideric Handel: Tamerlano, HWV 18 - Act III Scene XI: Recitativo accompagnato
John Mark Ainsley - 44. Air: But sooner Jordan's Stream, I swear
John Mark Ainsley - Adieu, cellule, adieu, donjon!
John Mark Ainsley - I Come To Sing Great Zempoalla's Story
John Mark Ainsley - 5. Beatus vir
John Mark Ainsley - Wake Quivera, Wake
Sir Colin Davis&London Symphony Orchestra&John Mark Ainsley&Janice Watson&Ruby Philogene&Paul Whelan - "Stay, though thou kill me, sweet Demetrius"
John Mark Ainsley&Britten Sinfonia&Pauline Lowbury&Nicholas Cleobury - Les illuminations, Op. 18: No. 5, Marine
John Mark Ainsley&Britten Sinfonia&Pauline Lowbury&Nicholas Cleobury - Les illuminations, Op. 18: No. 6, Interlude
John Mark Ainsley&Britten Sinfonia&Pauline Lowbury&Nicholas Cleobury - Les illuminations, Op. 18: No. 8, Parade
John Mark Ainsley&Britten Sinfonia&Pauline Lowbury&Nicholas Cleobury - Les illuminations, Op. 18: No. 3a, Phrase
John Mark Ainsley&Britten Sinfonia&Pauline Lowbury&Nicholas Cleobury - Les illuminations, Op. 18: No. 4, Royauté
John Mark Ainsley&Jean-Philippe Courtis&les Musiciens du Louvre&Marc Minkowski - "On vient ... c'est Dardanus"
John Mark Ainsley&les Musiciens du Louvre&Marc Minkowski - "Elle fuit! ... Mais j'ai vu sa tendresse"
John Mark Ainsley&The English Concert&Trevor Pinnock - Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day: Beauty, thou scene of love
John Mark Ainsley&Choeur de l'Orchestre Symphonique de Montréal&Orchestre Symphonique de Montréal&Charles Dutoit - Berlioz: Huit scènes de Faust, Op.1 - 5. Chanson de Méphistophélès, histoire d'une puce
John Mark Ainsley&The Brandenburg Consort&Stephen Cleobury - Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 2 - 32. Recitative: Unto which of the angels
John Mark Ainsley&The Brandenburg Consort&Stephen Cleobury - Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 2 - 40. Recitative: He that dwelleth in heaven
John Mark Ainsley&Orchestra of Westminster Abbey&Simon Preston - Handel: Nisi Dominus, Psalm 126 (127) HWV 238 - 5. Beatus vir
Kurt Ollmann&Kimberly Barber&John Mark Ainsley&London Symphony Orchestra&André Previn - "C'est fait, l'horloge est à sa place" (Scène V)
Kimberly Barber&John Mark Ainsley&André Previn&London Symphony Orchestra - Ravel: L'heure espagnole, Comédie en un acte, M.52 - "Ah! vous, n'est-ce pas, preste! leste!" (Scène XIV)
Felicity Lott&Lisa Milne&Rosa Mannion&Yvonne Kenny&Ann Murray&Diana Montague&Della Jones&Catherine Wyn Rogers&Anthony Rolfe Johnson&John Mark Ainsley&Toby Spence&Timothy Robinson&Stephen Roberts&Christopher Maltman&Michael George&Robert Lloyd&Duncan Riddell&London Philharmonic Orchestra&Roger Norrington - Serenade To Music
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