New Editions early, Jackson 5-inspired material made them the forerunners of two generations of teen pop (most of which was geared to white audiences). As they matured and progressed, they laid much of the groundwork for the fusion of hip-hop and R&B known as new jack swing. In fact, after New Edition drifted apart, all of its members had at least some significant success outside the group as part of the new jack movement, which helped ensure that their original incarnation would be remembered for much more than the bubblegum urban soul that made their name.\r New Edition was formed in the Roxbury section of Boston, MA, by Ricky Bell, Michael Bivins, and Bobby Brown, who began singing together in 1978 while still in elementary school, hoping to perform for pocket cash. They eventually recruited friend Ralph Tresvant as a fourth member, and after winning a talent show in 1980, also added Ronnie DeVoe. More talent show victories followed, including a prestigious gig at the local Strand Theater, where they performed the Jackson 5s The Love You Save. They were discovered by writer/producer/impresario Maurice Starr, who signed the group to his small Streetwise label in hopes of launching a Jackson 5 phenomenon for the 80s. Candy Girl, a song Starr co-wrote for the group, was released as their first single in 1983, when the members ranged in age from 13 to 15. Despite a lack of major-label interest in the group, Candy Girl was a smash, topping the R&B charts. Their debut album, also titled Candy Girl, spawned two more R&B hits in Popcorn Love and Is This the End?, and MCA offered the group a deal. Starr, however, wanted the group to remain with Streetwise; New Edition summarily fired him as their manager and signed with MCA. Starr attempted to sue the group for their name, unsuccessfully claiming that New Edition actually referred to a whole new style of pop music hed created. Starr, of course, would go on to strike it rich with a similar concept, assembling a quintet of white teenagers he dubbed New Kids on the Block.