The Three Sounds were one of the most popular artists on Blue Note Records during the late 50s and 60s, thanks to their nimble, swinging, blues-inflected mainstream jazz. Since their records sounded interchangeable and their warm, friendly jazz was instantly accessible, many critics dismissed the group at the time as lounge-jazz, but in the 90s, critical consensus agreed that the groups leader, pianist Gene Harris, was an accomplished, unique stylist whose very ease of playing disguised his technical skill. Similarly, his colleagues, bassist Andrew Simpkins and drummer Bill Dowdy, were a deft, capable rhythm section that kept the group in an appealing, bluesy groove. That groove was so appealing that the Three Sounds maintained a large fan following into the late 60s. During the groups prime period — from their 1958 debut for Blue Note to the departure of Dowdy in 1967 — the Three Sounds cut an enormous number of records. Many records hit the shelves, while others stayed in the vaults, to be issued at a later date. Throughout it all, the trios sound remained essentially the same, with no real dip in quality until the group began to splinter in the late 60s.\r \r Gene Harris was at the center of the Three Sounds throughout its entire existence. A native of Benton Harbor, Michigan, he began playing piano as a child, performing in public at the age of six. He soon became distracted by boxing and sports, but he continued to perform music, occasionally in a trio with drummer Bill Dowdy. After they graduated from high school in 1951, both Harris and Dowdy joined the Army and were assigned to different units. However, both men were discharged in 1954, and after they left the Army, they began pursuing different musical careers. Harris played with a variety of bands throughout the South and Midwest, while Dowdy moved to Chicago and played with a number of blues and jazz bands. Two years later, both musicians happened to settle in South Bend, Indiana and decided to form a band called the Four Sounds with bassist Andrew Simpkins and a tenor saxophonist. After running through a number of tenor saxophonists unsuccessfully, the three musicians decided to jettison the horn from their group and become the Three Sounds. For the next two years, the group played regularly at Midwest venues, particularly in Ohio. They played as a trio, and they also supported such soloists as Lester Young and Sonny Stitt. During this time, Horace Silver became a fan of the group and recommended them to Alfred Lion, the head of Blue Note. Despite the good word, the group remained unsigned. They toured with Stitt and relocated to Washington, D.C., where they worked as a trio and as a rhythm section for touring soloists; during this time, they played with such musicians as Miles Davis and Kenny Burrell. In the fall of 1958, they moved to New York to work with Stitt. Shortly after the moved to the city, the signed to Blue Note, in addition to supporting Nat Adderley on a Riverside session.