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Gerald Finley
Gerald Finley, OC (born 30 January 1960) is a Canadian baritone opera singer.
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Mark Tucker&Gerald Finley&Nancy Argenta&Caroline Ashton&Rachel Bevan&Carol Hall&James Oxley&Simon Davies&simon birchall&The English Concert Choir&The English Concert&Trevor Pinnock - Purcell: King Arthur, or The British Worthy (1691) / Act 4: Passacaglia - "How happy the lover" - Ritornello - "For love ev'ry creature" - "No joys are above" - "In vain are our graces" - "Then use the sweet blessing"
Paul Smy&Michael Chance&Charles Daniels&Gerald Finley&The Choir of King's College, Cambridge&English Chamber Orchestra - I. Let Thy Hand Be Strengthened
Catherine Bott&Gerald Finley&David Thomas&Academy Of Ancient Music&Christopher Hogwood - D. Purcell: The Indian Queen - Additional Act-Masque to Purcell's Opera - Edited Andrew Pinnock & Margaret Laurie: I'm Glad I Have Met Him
BBC Symphony Orchestra&John Adams&Gerald Finley - Doctor Atomic, Act I, Scene 1: "First of all, let me say"
Philippe Herreweghe&Orchestre des Champs-Elysées&La Chapelle Royale&Collegium Vocale Gent&Gerald Finley - VI. Denn wir haben hie keine bleibende Statt
Gerald Finley - Coventry Carol The Choir of King's College, Cambridge
Paul Smy&Michael Chance&Charles Daniels&Gerald Finley&The Choir of King's College, Cambridge&English Chamber Orchestra - II. Let Justice and Judgement
Paul Smy&Michael Chance&Charles Daniels&Gerald Finley&The Choir of King's College, Cambridge&English Chamber Orchestra - IV. Kings Shall Be Thy Nursing Fathers
Paul Smy&Michael Chance&Charles Daniels&Gerald Finley&The Choir of King's College, Cambridge&English Chamber Orchestra - III. Upon Thy Hand
Gerald Finley - Il prigioniero: I. Prologue and 1st Choral Intermezzo
The Choir of King's College, Cambridge&Gerald Finley&Timothy Beasley-Murray - Miserere mei, Deus
Gerald Finley - Franz Schubert: Winterreise, D 911: Der Lindenbaum
Nikolaus Harnoncourt&Georg Friedrich Händel&Gerald Finley&Concentus Musicus Wien - Part 3: The trumpet shall sound (Air)
Nikolaus Harnoncourt&Georg Friedrich Händel&Gerald Finley&Concentus Musicus Wien - Part 3: Behold, I tell you a mystery (Accompagnato)
Nikolaus Harnoncourt&Georg Friedrich Händel&Gerald Finley&Concentus Musicus Wien - Part 2: Why do the nations so furiously rage together? (Bass)
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - Magnificat in C Major, D. 486: III. Gloria Patri
Nikolaus Harnoncourt&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - Magnificat in C Major, D. 486: II. Deposuit potentes de sede
Nikolaus Harnoncourt&Georg Friedrich Händel&Gerald Finley&Concentus Musicus Wien - Part 1: Thus sayth the Lord (Accompagnato)
Nikolaus Harnoncourt&Georg Friedrich Händel&Gerald Finley&Concentus Musicus Wien - Part 1: The people that walked in darkness (Air)
Nikolaus Harnoncourt&Georg Friedrich Händel&Gerald Finley&Concentus Musicus Wien - Part 1: For behold, darkness shall cover the earth (Accompagnato)
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Gerald Finley&Herbert Lippert - Haydn: Mass in B-Flat Major, Hob. XXII:13 "Creation Mass": Et incarnatus
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - Haydn: Mass in B-Flat Major, Hob. XXII:13 "Creation Mass": Quoniam
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - Haydn: Mass in B-Flat Major, Hob. XXII:13 "Creation Mass": Gloria
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - Haydn: Mass in B-Flat Major, Hob. XXII:13 "Creation Mass": Kyrie II
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - III. Gloria Patri
Nikolaus Harnoncourt&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - II. Deposuit potentes de sede
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - Haydn: Mass in B-Flat Major, Hob. XXII:13 "Creation Mass": Agnus Dei
Nikolaus Harnoncourt&Arnold Schoenberg Chor&Christiane Oelze&Elisabeth von Magnus&Gerald Finley&Herbert Lippert - Haydn: Mass in B-Flat Major, Hob. XXII:13 "Creation Mass": Benedictus
Nikolaus Harnoncourt&Johann Sebastian Bach&Concentus Musicus Wien&Gerald Finley - IV. Recitativo: Siehe, ich stehe vor der Tür
Gerald Finley&Berliner Philharmoniker&Pierre Boulez - Webern: II. Kantate Op.31 For Soprano Solo, Bass Solo, Mixed Chorus And Orchestra - 2. Sehr verhalten \"Sehr tief verhalten inne
Gerald Finley&English Baroque Soloists&John Eliot Gardiner - Der Vogelfänger bin ich ja (Papageno)
Gerald Finley - The Three Kings
Gerald Finley - Il prigioniero: IV. Scene Three
Gerald Finley - Il prigioniero: V. Second Choral Intermezzo
Gerald Finley - Il prigioniero: VI. Scene Four
Gerald Finley - Il prigioniero: III. Scene Two
Paul Smy&Michael Chance&Charles Daniels&Gerald Finley&The Choir of King's College, Cambridge&English Chamber Orchestra - I. My Heart Is Inditing
Paul Smy&Michael Chance&Charles Daniels&Gerald Finley&The Choir of King's College, Cambridge&English Chamber Orchestra - II. King's Daughters
Gerald Finley - "Victoire! Sa vie est sauvée" (Chorus, Jemmy, Guillaume, Gessler)
Gerald Finley&Jamie MacDougall&The English Concert Choir&The English Concert - Purcell: King Arthur, or The British Worthy (1691) / Act 1 - "Woden, first to thee" / "We have sacrific'd"
Gerald Finley&English Baroque Soloists&John Eliot Gardiner - Mozart: Die Zauberflöte, K.620 / Act 1: Der Vogelfänger bin ich ja (Papageno)
Sylvia McNair&Michael Schade&Gerald Finley&English Baroque Soloists&John Eliot Gardiner&Monteverdi Choir - No. 14 Chor und Terzett: "Die Himmel erzählen die Ehre Gottes" / "Dem kommenden Tage sagt es der Tag"
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Signora Dorabella, Signora Fiordiligi (Despina/Dorabella/Fiordiligi)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - In uomini, in soldati sperare fedeltà (Despina)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Tradito, schernito dal perfido cor (Ferrando)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - La mia Dorabella capace non è (Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Fuor la spada! (Guglielmo/Don Alfonso/Ferrando)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Scioccherie di poeti! (Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Una bella serenata (Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Sento, o Dio, che questo piede (Guglielmo/Ferrando/Don Alfonso/Fiordiligi/Dorabella)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Non piangere, idol mio (Guglielmo/Ferrando/Don Alfonso/Fiordiligi/Dorabella)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Al fato dan legge (Ferrando/Guglielmo)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Non v'è più tempo amici (Don Alfonso/Fiordiligi/Dorabella/Ferrando/Guglielmo)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Di scrivermi ogni giorno (Fiordiligi/Dorabella/Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Alla bella Despinetta (Don Alfonso/Ferrando/Guglielmo/Despina/Fiordiligi/Dorabella)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Che sussurro! Che sprepito! (Don Alfonso/Dorabella/Fiordiligi/Ferrando/Guglielmo/Despina)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Ah, non partite! (Ferrando/Guglielmo/Don Alfonso/Dorabella/Fiordiligi)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - E voi ridete? (Don Alfonso/FerrandoGuglielmo)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Si può sapere un poco (Don Alfonso/Guglielmo/Ferrando)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Un'aura amorosa del nostro tesoro (Ferrando)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Ah, che tutto in un momento (Fiordiligi/Dorabella/Ferrando/Guglielmo/Don Alfonso)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Secondate, aurette amiche (Ferrando/Guglielmo/Coro)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Il tutto deponete sopra quei tavolini (Ferrando/Guglielmo/Don Alfonso/Despina)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - La mano a me date (Don Alfonso/Ferrando/Guglielmo/Despina) (Live)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Oh, che bella giornata! (Fiordiligi/Ferrando/Dorabella/Guglielmo)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Barbara, perché fuggi? (Ferrando/Fiordiligi)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 24 Aria: Ah, lo veggio: quell'anima bella (Ferrando)
Hillevi Martinpelto&Alison Hagley&Ann Murray&Kurt Streit&Gerald Finley&Thomas Allen&Choir of the Age of Enlightenment&Orchestra of The Age of Enlightenment&Sir Simon Rattle - Amico, abbiamo vinto! (Ferrando/Guglielmo)
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