Catherine Denley

最新歌曲

Catherine Denley&Anthony Rolfe Johnson&Academy of St Martin in the Fields Chorus&Academy of St Martin in the Fields&Neville Marriner - Handel: Judas Maccabaeus, HWV 63: Sing Unto God
Academy of St Martin in the Fields&Academy of St Martin in the Fields Chorus&Neville Marriner&Joan Rodgers&Catherine Denley - Handel: My Heart is Inditing, Coronation Anthem No. 4, HWV 261: II. King's Daughters Were Among Thy Honorable Women
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Rüste dich mit Mut und Standhaftigkeit … Sie kommt!" (Drei Damen, Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "He da! … Was da?" (Tamino, Papageno)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Tamino mein! O welch ein Glück!" (Pamina, Tamino, Zwei Geharnischten)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Da bin ich schon, mein Engel! … Fort mit dir, junges Weib!" (Ein altes Weib, Papageno, Sprecher)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Prinz, dein Betragen war bisher männlich und gelassen" (Sarastro, Pamina, Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 4, Rezitativ und Arie, "O zittre nicht, mein lieber Sohn!" (Königin der Nacht)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 3, Arie, "Dies Bildnis ist bezaubernd schön" (Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Papageno! … Wer sind diese Damen?" (Drei Damen, Papageno, Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Tamino! Tamino! … Mensch! du hättest verdient" (Papageno, Sprecher)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Ha, da find'ich ja die spröde Schöne!" (Monostatos)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Papagena! Papagena! Papagena!" (Papageno, Drei Knaben)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Marsch - "Wir wandelten durch Feuergluten … Triumph! Triumph! Du edles Paar!" (Pamina, Tamino, Die Priester, Die Gefolge)
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Ouverture. Adagio - Allegro
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Morden soll ich? … Was soll ich nun? … So fahr denn hin! … Herr, strafe meine Mutter nicht!" (Pamina, Monostatos, Sarastro)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Zurücke! … Ich Götter! … O weh!" (Königin der Nacht, Pamina, Monostatos)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt" (Sprecher, Zweiter Priester, Papageno)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 12, Quintett, "Wie? Wie? Wie?" (Drei Damen, Papageno, Tamino, Die Eingeweihten)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 11, Duett, "Bewahret euch vor Weibertücken" (Zweiter Priester, Sprecher)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 9, Marsch der Priester (Andante)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Arie, "Wie stark ist nicht dein Zauberton!" (Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Ha, ha, ha" (Drei Sklaven, Monostatos)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 5, Quintett, "Hm! hm! hm! hm!" (Papageno, Tamino, Drei Damen)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 21, Finale, "Bald prangt, den Morgen zu verkünden … Du also bist mein Bräutigam?" (Drei Knaben, Pamina)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 17, Arie, "Ach, ich fühl's, es ist verschwunden!" (Pamina)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Was hör’ ich?" (Tamino) - No. 2, Aria, "Der Vogelfänger bin ich ja" (Papageno)
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)
John Eliot Gardiner&Catherine Denley&Timothy Penrose - Duet. "You've undone me, look not on me" (Ino, Athamas)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 18, Chor, "O Isis und Osiris" (Die Priester)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 16, Terzett, "Seid uns zum zweitenmal willkommen" (Drei Knaben)
John Eliot Gardiner&Catherine Denley&Norma Burrowes&Robert Lloyd&Timothy Penrose - Quartet. "Why dost thou thus untimely grieve" (Semele, Ino, Athamas, Cadmus)
Catherine Denley&The English Concert&Trevor Pinnock&The English Concert Choir - Vivaldi: Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VIII. Domine Deus, Agnus Dei
Catherine Denley&The English Concert&Trevor Pinnock&The English Concert Choir - VIII. Domine Deus, Agnus Dei (G.Ricordi 1970, Ed. Malipiero)
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 18, Chor, "O Isis und Osiris" (Die Priester) (Priester)
Catherine Denley&The English Concert&Trevor Pinnock&The English Concert Choir - Vivaldi: Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: X. Qui sedes ad dexteram Patris
John Eliot Gardiner&Catherine Denley&Norma Burrowes - Duet. "Prepare then, ye" (Semele, Ino)
Edith Mathis&Dietrich Fischer-Dieskau&Aldo Baldin&Catherine Denley&Academy of St Martin in the Fields Chorus&Academy of St Martin in the Fields&Neville Marriner - 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Wo bin ich? Ist’s Phantasie, dass ich noch lebe?" (Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Klinget Glöckchen klinget" (Papageno, Drei Knaben)
Anthony Rolfe Johnson&Academy of St Martin in the Fields&Academy of St Martin in the Fields Chorus&Neville Marriner&Catherine Denley&Robert Dean&Joan Rodgers - Handel: My Heart is Inditing, Coronation Anthem No. 4, HWV 261: I. My Heart Is Inditing
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "He, Lichter her! Lichter her!" (Papageno, Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 1, Introduction, "Zu Hilfe! Zu Hilfe!" (Tamino, Drei Damen)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Ich sollte fort! Ei ei! wie fein!" (Drei Damen)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Ouverture. Adagio - Allegro
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Die Priester)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Nur stille! stille! stille!" (Monostatos, Königin der Nacht, Drei Damen)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Es siegte die Stärke" (Die Priester)
Catherine Denley&Anthony Rolfe Johnson&Academy of St Martin in the Fields Chorus&Academy of St Martin in the Fields&Neville Marriner - Sing Unto God
Catherine Denley&The English Concert&Trevor Pinnock&The English Concert Choir - X. Qui sedes ad dexteram Patris (G.Ricordi 1970, Ed. Malipiero)
Catherine Denley&The English Concert&Trevor Pinnock&The English Concert Choir - VIII. Domine Deus, Agnus Dei
Catherine Denley&The English Concert&Trevor Pinnock&The English Concert Choir - X. Qui sedes ad dexteram Patris
Academy of St Martin in the Fields&Ambrosian Opera Chorus&Lucia Popp&Barbara Hendricks&José Van Dam&Agnes Baltsa&Felicity Palmer&Aldo Baldin&Neil Jenkins&Robert Lloyd&Donald Maxwell&cathryn pope&Catherine Denley&John Constable&Ruggero Raimondi - Mozart: Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4 - Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti"
Anthony Rolfe Johnson&Academy of St Martin in the Fields&Academy of St Martin in the Fields Chorus&Neville Marriner&Catherine Denley&Joan Rodgers - Handel: My Heart is Inditing, Coronation Anthem No. 4, HWV 261: III. Upon Thy Right Hand
Ruggero Raimondi&Lucia Popp&Barbara Hendricks&José Van Dam&cathryn pope&Catherine Denley&Ambrosian Opera Chorus&Academy of St Martin in the Fields&Neville Marriner - Mozart: Le nozze di Figaro, K.492 / Act 3 - "Ecco la marcia... andiamo." - "Amanti costanti"
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 4, Rezitativ und Arie, "O zittre nicht, mein lieber Sohn!" (Königin der Nacht)
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Papageno! … Wer sind diese Damen?" (Drei Damen, Papageno, Tamino) (Tamino/Papageno|Die drei Damen/Papageno/Tamino)
John Eliot Gardiner&Catherine Denley&Norma Burrowes&Timothy Penrose - Accompagnato. "Ah me! What refuge now is left me?" - Air. "O Jove! in pity teach me which to choose" - Recitative. "Alas, she yields" (Semele, Ino, Athamas)
John Eliot Gardiner&Catherine Denley&Norma Burrowes&Robert Lloyd&Timothy Penrose - Quartet. "Why dost thou thus untimely grieve" (Semele, Ino, Athamas, Cadmus)
John Eliot Gardiner&Catherine Denley&Timothy Penrose - Recitative. "Oh Athamas" - Air. "Turn, hopeless lover" (Athamas, Ino)
John Eliot Gardiner&Catherine Denley&Timothy Penrose - Duet. "You've undone me, look not on me" (Ino, Athamas)
John Eliot Gardiner&Catherine Denley&Norma Burrowes - Recitative. "Dear sister?" - Air. "But hark! the heav'nly sphere" (Semele, Ino)
John Eliot Gardiner&Catherine Denley&Norma Burrowes - Duet. "Prepare then, ye" (Semele, Ino)

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