Tessa Bonner

最新歌曲

Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Rüste dich mit Mut und Standhaftigkeit … Sie kommt!" (Drei Damen, Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "He da! … Was da?" (Tamino, Papageno)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Tamino mein! O welch ein Glück!" (Pamina, Tamino, Zwei Geharnischten)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Da bin ich schon, mein Engel! … Fort mit dir, junges Weib!" (Ein altes Weib, Papageno, Sprecher)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Prinz, dein Betragen war bisher männlich und gelassen" (Sarastro, Pamina, Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 4, Rezitativ und Arie, "O zittre nicht, mein lieber Sohn!" (Königin der Nacht)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 3, Arie, "Dies Bildnis ist bezaubernd schön" (Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Papageno! … Wer sind diese Damen?" (Drei Damen, Papageno, Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Tamino! Tamino! … Mensch! du hättest verdient" (Papageno, Sprecher)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Ha, da find'ich ja die spröde Schöne!" (Monostatos)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Papagena! Papagena! Papagena!" (Papageno, Drei Knaben)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Marsch - "Wir wandelten durch Feuergluten … Triumph! Triumph! Du edles Paar!" (Pamina, Tamino, Die Priester, Die Gefolge)
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Ouverture. Adagio - Allegro
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Morden soll ich? … Was soll ich nun? … So fahr denn hin! … Herr, strafe meine Mutter nicht!" (Pamina, Monostatos, Sarastro)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Zurücke! … Ich Götter! … O weh!" (Königin der Nacht, Pamina, Monostatos)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt" (Sprecher, Zweiter Priester, Papageno)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 12, Quintett, "Wie? Wie? Wie?" (Drei Damen, Papageno, Tamino, Die Eingeweihten)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 11, Duett, "Bewahret euch vor Weibertücken" (Zweiter Priester, Sprecher)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 9, Marsch der Priester (Andante)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Arie, "Wie stark ist nicht dein Zauberton!" (Tamino)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Ha, ha, ha" (Drei Sklaven, Monostatos)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 5, Quintett, "Hm! hm! hm! hm!" (Papageno, Tamino, Drei Damen)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 21, Finale, "Bald prangt, den Morgen zu verkünden … Du also bist mein Bräutigam?" (Drei Knaben, Pamina)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 17, Arie, "Ach, ich fühl's, es ist verschwunden!" (Pamina)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - Dialog, "Was hör’ ich?" (Tamino) - No. 2, Aria, "Der Vogelfänger bin ich ja" (Papageno)
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 18, Chor, "O Isis und Osiris" (Die Priester)
Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 16, Terzett, "Seid uns zum zweitenmal willkommen" (Drei Knaben)
Emily Van Evera&Tessa Bonner&Charles Daniels&Andrew King&John Mark Ainsley&Nicolas Robertson&Richard Wistreich&Stephen Charlesworth&Simon Grant&Taverner Players&Andrew Parrott&Taverner Choir&Taverner Consort - Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27
Emily Van Evera&Tessa Bonner&Charles Daniels&Andrew King&John Mark Ainsley&Nicolas Robertson&Richard Wistreich&Stephen Charlesworth&Simon Grant&Taverner Players&Andrew Parrott&Taverner Choir&Taverner Consort - Purcell: Funeral Sentences: In the Midst of Life, Z. 17A
Tessa Bonner&Sarah Pendlebury&Robert "Bob The Builder" Horn&Tom Phillips - Praetorius: Gloria (Missa: gantz Teudsch) - Polyhymnia caduceatrix (1619) -
Tessa Bonner&Gabrieli Players&Paul McCreesh&Timothy Roberts - Purcell: "The earth trembled", Z.197
Taverner Players&Tessa Bonner&Andrew Parrott&Taverner Consort - Una stravaganza dei Medici (The 1589 Florentine Intermedi), I. The Harmony of the Spheres: 4. (a) Dolcissime Sirene a 6;
Taverner Players&Evelyn Tubb&Mary Nichols&Tessa Bonner&Andrew Parrott - Una stravaganza dei Medici (The 1589 Florentine Intermedi), II. The Singing Contest between the Pierides and the Muses:
Charles Daniels&Paul McCreesh&Angus Smith&Susan Hemington Jones&Tessa Bonner&Gabrieli&Jonathan Best - Monteverdi: Selva morale e spirituale: Laudate pueri dominum (II) , SV 271
Sir Roger Norrington&London Classical Players&Anthony Rolfe Johnson&Andreas Schmidt&Dawn Upshaw&guy de mey&Beverley Hoch&Olaf Bar&Catherine Denley&Catherine Pierard&Cornelius Hauptmann&Nancy Argenta&Eirian James&Tessa Bonner&Evelyn Tubb&Car - No. 18, Chor, "O Isis und Osiris" (Die Priester) (Priester)
Tessa Bonner - "The earth trembled", Z.197
Tessa Bonner - S'invan su l'arco tendi
Tessa Bonner&Julian Podger&Simon Berridge&Susan Hemington Jones - Purcell: Funeral Sentences for the death of Queen Mary II (1695) - Man..., Z27 - In the midst, Z17B - Thou knowest, Z58B
Tessa Bonner&Catherine Bott&New London Consort&Philip Pickett - Monteverdi: Il ballo delle ingrate, SV 167: 2. Del 'implacabil Dio
Catherine Bott&Tessa Bonner&Christopher Robson&John Mark Ainsley&Andrew King&Michael George&Simon Grant&New London Consort&Philip Pickett - Psalmus 112: Laudate pueri
Catherine Bott&Tessa Bonner&John Mark Ainsley&Andrew King&Michael George&Simon Grant&New London Consort&Philip Pickett - Monteverdi: Vespro della Beata Virgine - Arr. Philip Pickett: Psalmus 147: Lauda, Ierusalem, Dominum
Philip Pickett&Catherine Bott&Tessa Bonner&Christopher Robson&John Mark Ainsley&Michael George&New London Consort - Versiculum: Deus in adiutorium
Catherine Bott&Tessa Bonner&Christopher Robson&John Mark Ainsley&Andrew King&Michael George&New London Consort&Philip Pickett - Psalmus 121: Laetatus sum
Catherine Bott&Tessa Bonner&New London Consort&Philip Pickett - Sonata sopra Sancta Maria a 1
Andrew Parrott&Caroline Trevor&Traditional&Emily Van Evera&Tessa Bonner - Hayl, Mary, Ful of Grace (Vocal)
Catherine Bott&Tessa Bonner&Christopher Robson&John Mark Ainsley&Andrew King&Michael George&New London Consort&Philip Pickett - Psalmus 109: Dixit Dominus
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&Simon Grant&New London Consort&Philip Pickett - Monteverdi: Vespro della Beata Virgine - Arr. Philip Pickett: Magnificat anima mea
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&Simon Grant&New London Consort&Philip Pickett - Monteverdi: Vespro della Beata Virgine - Arr. Philip Pickett: Sicut erat in principio
Andrew Parrott&Traditional&Tessa Bonner&Frances Kelly - I Saw a Swete Semly Syght (Vocal)
Andrew Parrott&Caroline Trevor&Traditional&Tessa Bonner&Emily Van Evera - Ther Is No Rose of Swych Vertu (Vocal)
Catherine Bott&Tessa Bonner&New London Consort&Philip Pickett - Concerto: Pulchra es
Catherine Bott&Tessa Bonner&New London Consort&Philip Pickett - Esurientes implevit bonis
Catherine Bott&Tessa Bonner&Catherine King&Helen Parker&New London Consort&Philip Pickett - Monteverdi: Il ballo delle ingrate, SV 167: 9. Ahi troppo è duro
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&Simon Grant&New London Consort - Monteverdi: Vespro della Beata Virgine - Arr. Philip Pickett: Hymnus: Ave maris stella
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&New London Consort&Philip Pickett - Monteverdi: Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Audi coelum
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&Simon Grant&New London Consort&Philip Pickett - Sicut erat in principio
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&New London Consort&Philip Pickett - Concerto: Audi coelum
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&Simon Grant&New London Consort - Hymnus: Ave maris stella
Catherine Bott&Tessa Bonner&Christopher Robson&Andrew King&John Mark Ainsley&Michael George&Simon Grant&New London Consort&Philip Pickett - Magnificat anima mea
Catherine Bott&Tessa Bonner&Andrew King&New London Consort&Philip Pickett - Suscepit Israel
Catherine Bott&Tessa Bonner&Christopher Robson&Michael George&Simon Grant&New London Consort&Philip Pickett - Et misericordia
Charles Daniels&Paul McCreesh&Christopher Purves&Peter Harvey&Timothy Roberts&Angus Smith&Susan Hemington Jones&Tessa Bonner&Julian Podger&Simon Berridge&Gabrieli - Purcell: Funeral Sentences for the death of Queen Mary II (1695) : Man..., Z27 - In the midst, Z17B - Thou knowest, Z58B

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