"In the daunting role of Semele, Meredith Hall spun her sweet, full soprano in phrases that opened out gratifyingly on top and slalomed fearlessly through the endless coloratura. This bravura musical performance was matched by a riveting dramatic one-sultry, funny and then tragic."\r Boston Globe, Susan Larson\r \r \r Canadian Soprano Meredith Hall delights audiences internationally with her "lustrous sound and fluent legato" (San Francisco Chronicle) and "bravura musical performance matched by a riveting (sense of the) dramatic" (Boston Globe). Equally at home in Opera and Oratorio, she is especially in demand for Baroque and Classical works, particularly those of Mozart and Handel.\r \r Highlights of the 2010-2011 season include a performance at the Gttingen Handel Festival in Germany, MESSIAH with both Apollo's Fire of Cleveland and the Grand Philharmonic Choir of Kitchener Waterloo and a Handel programme for the Grand Rapids Symphony. Also on her schedule are performances with the Arizona Chamber Music Festival in Tucson and the Hot Earth Ensemble of Newfoundland. Highlights for 2009- 2010 included MESSIAHs for the Newfoundland Symphony and the Elmer Iseler Singers of Toronto, LES ILLUMINATIONS with the Talisker Players of Toronto and Vivaldi's GLORIA for the Elgin Symphony of Illinois. She loos forward to performances and a recording of this in December of 2011 with Cleveland's Apollo's Fire, an early music group with whom she is closely associated.\r \r The 2008-2009 season began with a return to San Francisco for Rameau's PYGMALION and Arne's COMUS with Philharmonia Baroque and a tour of Canada's west coast with La Nef. In addition were performances in DIDO AND AENEAS (title role) for Apollo's Fire and her debut with Boston Baroque in their presentation of Rameau's PYGMALION.\r \r In 2007-2008, Ms. Hall was heard in MESSIAH for the Victoria Symphony, in Purcell's THE INDIAN QUEEN for the Toronto Masque Theatre and was a guest artist at the Montreal Baroque Festival. Her 2006-2007 season was notable for concerts in Halle, Germany at the Handel Festival, MESSIAH with the Toronto Symphony plus concerts and recording projects with La Nef for CBC Radio Canada and with Toronto Masque Theatre for CBC Radio Two.\r \r Ms. Hall debuted at the Shannon International Music Festival in a programme of Beethoven’s Irish and Scottish songs with Nicholas McGegan at the piano and she was heard at the Montreal Baroque Festival and at Domaine Forget in a programme with the Toronto Consort. Other engagements in her 2005-2006 season included MESSIAHs with the Portland Baroque Orchestra, the Amadeus Choir of Toronto, the Newfoundland Symphony and the Iseler Singers of Toronto. Also in 2006, she was in Gttingen at the Handel Festival for an all Mozart programme, Memphis for Mozart’s Mass in C Minor, Tucson for the Arizona Chamber Music Festival and Toronto with Pax Christi Chorale for Mendelssohn’s ST. PAUL. Of particular note was her recital debut in Toronto for the Women’s Musical Club with guitarist Bernard Farley.\r \r Ms. Hall’s 2004-2005 season included the title role in Rameau’s ZEPHYR for McGegan’s Philharmonia Baroque, concerts with La Nef ensemble of Montreal, a Baroque evening for the Windsor Symphony, Bach’s JOHANNES PASSION for Orchestra London and the Toronto Operetta Theatre production of the zarzuela EL BARBERILLO DE LAVAPIES. She was also heard as Aristeo in Rossi’s ORFEO for the Toronto Consort and finished the season on a high note as featured soloist in a Handel programme for I Musici de Montreal.\r \r Ms. Hall’s opera appearances include the title roles of Monteverdi’s L’INCORONAZIONE DI POPPEA (Houston Grand Opera and Opera Atelier, Toronto) and Handel’s PARTENOPE (Gttingen Handel Festival, Germany) as well as Pamina in Mozart’s DIE ZAUBERFLTE (Opera Atelier, Toronto) and Phébé in Rameau’s CASTOR ET POLLUX (Opera in Concert, Toronto). Other Handel roles include: SEMELE (Handel & Haydn Society, Boston); Pleasure in THE CHOICE OF HERCULES (Philharmonia Baroque, San Francisco) and Mary Magdelene in RESURREZIONE (Opera Atelier). In Mozart roles, Ms. Hall has appeared as Zerlina in DON GIOVANNI at the National Arts Centre in Ottawa, Bastienne in BASTIEN UND BASTIENNE with Tafelmusik in Toronto and as Elvira in DON GIOVANNI for Opera Atelier’s tour of Japan. Her performances as Susanna in THE MARRIAGE OF FIGARO with the same company were received with great acclaim in Toronto and Tokyo. Previous operatic engagements have included Giunone in Cavalli’s ERCOLE AMANTE in Utrecht, Tanglewood and Boston; Eurydice in Gluck’s ORFEO for Cleveland Opera; Galatea in Handel’s ACIS AND GALATEA for Opera Atelier; Dido in DIDO AND AENEAS for Apollo’s Fire (Cleveland); Messagiera in Monteverdi’s ORFEO for Vancouver Early Music; and Altisidore in Boismortier’s DON QUICHOTTE for Paris’ Opera Comique.\r \r Ms. Hall debuted with the Toronto Symphony in Handel’s MESSIAH, a work which she has also performed with the Memphis Symphony and with Apollo’s Fire in Severance Hall, Cleveland. Other concert appearances include Mozart’s MASS IN C MINOR with the Toronto Mendelssohn Choir and the Arcadia Chamber Orchestra in Osaka, Japan; Handel’s GLORIA with Pittsburgh’s Chatham Baroque; Pergolesi’s STABAT MATER and Handel’s DIXIT DOMINUS with Le grand Choeur de Montreal; Bach’s MASS IN B MINOR for the St. Lawrence Choir of Montreal and his MISSA BREVIS for the Vancouver Chamber Choir. Ms. Hall toured Japan appearing in a series of song recitals in Osaka and Tokyo with her husband, guitarist Bernard Farley.\r \r She sang Aaron Copland’s POEMS OF EMILY DICKINSON and Handel arias with the Memphis Symphony; Vivaldi arias with Cleveland’s Apollo’s Fire and Handel’s MESSIAH with the Victoria Symphony. For Toronto Operetta Theatre she performed the role of Nanine in the Canadian premiere of THE WIDOW by Calixa Lavallee, and recorded songs by Robbie Burns with La Nef for the ATMA label.\r \r Ms. Hall has recorded for Deutsche Grammophon Archiv, Philips, Naxos, Dorian, NPR Records and CBC Records with such groups as Les Musiciens du Louvre, Le Concert Spirituel, The Musicians of the Globe, The Toronto Consort and Tafelmusik.\r