His concept of epic house inspired by the classical training he received from an early age, Brian Transeau revitalized the British dance community in the mid-90s and provided a point of entry for later dream house merchants like Robert Miles, Sash!, and BBE (though Transeau had, for the most part, left the style behind by the time of its pop success during 1997-1998). After his debut album appeared in late 1995 (as BT), Transeau hit the dance charts when his remix of Tori Amos Blue Skies became one of the most-played American club tracks of the following year. Though he attempted to leave dream house behind on second album ESCM, Transeau continued to do well with club-goers and critics in Britain as well as America.\r \r Born and raised in Washington, D.C., Transeau was playing piano from the age of two and began his classical training while only 13. Even while he was studying string arrangement and orchestration, Transeau listened to Depeche Mode and Yes. He attended Berklee School of Music in Boston for one year but then dropped out and moved to Los Angeles; he was soon back in Washington, D.C., where he hooked up with longtime friend Ali Shirazinias new Deep Dish production team. He had already played synthesizer for albums by Salt-N-Pepa and Tyler Collins before debuting on Deep Dish Records with two 1993 singles, A Moment of Truth and Relativity.\r \r The tracks became club hits in Britain, routinely played by super DJs like Sasha and Paul Oakenfold for their epic, symphonic qualities, which worked well as a sort of climax at clubs like Cream and Ministry of Sound. Signed to Oakenfolds Perfecto Records, BT continued his success with 1995 singles like Embracing the Future and Loving You More, and did remix work for Mike Oldfield, Seal, and Billie Ray Martin. His debut album, Ima, was a hit with British audiences, though Transeaus name remained largely unheard in his native land.